The trick, says David Hart is tofind an artist in early to mid-career, buy a big piece synonymous with them and keep it for 10 to 15 years. He followed his own advice and bought his father’s paintings, his father being Pro, a man who knew his way around an easel.”Dad would have given me anything I wanbted but I always paid for everything. I’d say to Dad, I’m interested in this. I don’t want any special deals. Whatever you’d sell that to a dealer for, I’ll pay you the same’.